Artist Statement

I am a multimedia Creative and visionary artist working with ritual, nature, and the body. My practice is rooted in sacred, meditative processes that explore healing, transformation, and the sensual intelligence of materials. Guided by intuition, nature’s cycles, and Tantric teachings I create tactile, textured, and immersive works that emerge through improvisation and devotional acts.

My creative process is a living ritual; a deep listening through my experiential body and visions from spirit - a bridge between inner knowing and outer form.

I often begin with meditative observation, a moment of presence, tuning into rhythms, patterns, and sensations. Making then begins—through touch, playful exploration, and improvisation, shaped by the materials that call to be used. My work has spanned installation, ceramics, textiles, performance, painting, film, and photography and I am not bound by medium; I follow what best expresses the vision. This is how I process the unspoken and unknowable.

 Haptic experience is central to my work; surfaces that invite touch, evoke feelings, or stir the senses. The body is a primary site of knowing the world and the physicality of making is essential: kneading clay, weaving images, dyeing fabric, building space. Movement, play, and sensuality flow through my work as acts of joy and celebration of life. Light, colour, tactile texture, rhythm, pattern and beauty are always present. Current works include a series of woven photographs, made in devotion to a fallen log. These images, interlaced like offerings, arise from the meditative instruction: “look lovingly at an object, and enter the bliss” (Vigyan Bhairava Tantra). The process is slow, reverent, and deeply felt.

 The themes of birth, sacred sexuality, death, and the ongoing journey in womanhood are at the heart of my practice. I am inspired by mythic archetypal feminine wisdom, found in works like Women Who Run with the Wolves (Clarissa Pinkola Estés) and Hagitude (Sharon Blackie), as well as in the living landscape, and my own body.

 My work sits at the intersection of feminist, spiritual and ecological practices. Influenced by artists who engage with ritual, embodiment and the land such as Cuban environmental artists, Ana Mendita, Swedish Visionary artist, Hilma af Klint and Japanese painter, performance artist Yoyoi Kusma.

 My lived experience; as a single mother, a woman and a spiritual seeker, deeply inform the work. My son is both a grounding force and a mirror, my daily teacher and my Zen stick. Through him, I remain awake in the world.